tag:blogger.com,1999:blog-83389499751426368732024-02-20T05:25:41.457-08:00Masters Of The Universe (The 1987 Film)James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.comBlogger71125tag:blogger.com,1999:blog-8338949975142636873.post-63194927817185337072018-07-27T06:14:00.002-07:002018-07-27T06:16:24.615-07:00Special Feature: Masters Of The Universe- The Motion Picture Evil-Lyn Custom Figure By Matthew Hackley<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/evillynn/lyn30_zpsdodh1gdp.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynn/lyn30_zpsdodh1gdp.jpg" border="0" alt=" photo lyn30_zpsdodh1gdp.jpg"/></a><br><bR>
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James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-90147852364890473082017-07-16T03:32:00.001-07:002017-07-16T03:32:24.494-07:00Special Feature: Masters Of The Universe- The Motion Picture 30th Anniversary Custom Figure Skeletor ("God" Outfit) By Matthew Hackley<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell18_zpsgpu2sibv.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell18_zpsgpu2sibv.jpg" border="0" alt=" photo godskell18_zpsgpu2sibv.jpg"/></a><br><br>
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<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell21_zpslokizodv.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell21_zpslokizodv.jpg" border="0" alt=" photo godskell21_zpslokizodv.jpg"/></a><br><br>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell22_zpsoh8iamtv.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell22_zpsoh8iamtv.jpg" border="0" alt=" photo godskell22_zpsoh8iamtv.jpg"/></a><br><BR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell25_zps5vjwov06.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell25_zps5vjwov06.jpg" border="0" alt=" photo godskell25_zps5vjwov06.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell26_zpsk8ecrxqp.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell26_zpsk8ecrxqp.jpg" border="0" alt=" photo godskell26_zpsk8ecrxqp.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell27_zpsqirq9smc.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell27_zpsqirq9smc.jpg" border="0" alt=" photo godskell27_zpsqirq9smc.jpg"/></a><br><BR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell33_zpstofcwnon.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell33_zpstofcwnon.jpg" border="0" alt=" photo godskell33_zpstofcwnon.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell35_zpscslirirx.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell35_zpscslirirx.jpg" border="0" alt=" photo godskell35_zpscslirirx.jpg"/></a><br><BR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell2_zpspalj28rc.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell2_zpspalj28rc.jpg" border="0" alt=" photo godskell2_zpspalj28rc.jpg"/></a><br><BR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleygodskelly/godskell31_zpsvmpea5do.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleygodskelly/godskell31_zpsvmpea5do.jpg" border="0" alt=" photo godskell31_zpsvmpea5do.jpg"/></a><Br><BR>
<i>A HUGE thank you to Matthew Hackley for taking on this project and putting so much work into it! These are a 30-year-old dream come true for me!
</i>
James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-77365023598401547662017-06-15T05:15:00.004-07:002017-06-15T05:15:56.783-07:00Muscle & Fitness Magazine August 1987 ArticleEver wonder how Dolph got into He-Man shape? Well this article from the August '87 issue of <b>Muscle & Fitness Magazine</b> is for you! And sure- The photos from the film included here are great... But the Dolph workout pics are pure win. Enjoy!
<br><BR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle1_zpst2qr4vlq.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle1_zpst2qr4vlq.jpg" border="0" alt=" photo motumuscle1_zpst2qr4vlq.jpg"/></a>
<br><BR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle2_zps2vi6b0hg.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle2_zps2vi6b0hg.jpg" border="0" alt=" photo motumuscle2_zps2vi6b0hg.jpg"/></a>
<br><br><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle3_zpsjebn6xup.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle3_zpsjebn6xup.jpg" border="0" alt=" photo motumuscle3_zpsjebn6xup.jpg"/></a>
<br><Br><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle4_zpsokiqe8t5.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle4_zpsokiqe8t5.jpg" border="0" alt=" photo motumuscle4_zpsokiqe8t5.jpg"/></a>
<br><bR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle5_zpsi9qzmhxm.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle5_zpsi9qzmhxm.jpg" border="0" alt=" photo motumuscle5_zpsi9qzmhxm.jpg"/></a>
<br><br><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle6_zpscdeqc8xy.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle6_zpscdeqc8xy.jpg" border="0" alt=" photo motumuscle6_zpscdeqc8xy.jpg"/></a>
<br><br><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle7_zps0nrrpoaf.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle7_zps0nrrpoaf.jpg" border="0" alt=" photo motumuscle7_zps0nrrpoaf.jpg"/></a>
<Br><bR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle8_zpsfl9oqro4.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle8_zpsfl9oqro4.jpg" border="0" alt=" photo motumuscle8_zpsfl9oqro4.jpg"/></a>
<Br><BR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle9_zpssjqocyzc.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle9_zpssjqocyzc.jpg" border="0" alt=" photo motumuscle9_zpssjqocyzc.jpg"/></a>
<Br><bR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle10_zpsdtyk6naz.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle10_zpsdtyk6naz.jpg" border="0" alt=" photo motumuscle10_zpsdtyk6naz.jpg"/></a>
<Br><bR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle11_zpsoc4jbcsd.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle11_zpsoc4jbcsd.jpg" border="0" alt=" photo motumuscle11_zpsoc4jbcsd.jpg"/></a>
<Br><BR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motumuscle12_zpswqbw69lm.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motumuscle12_zpswqbw69lm.jpg" border="0" alt=" photo motumuscle12_zpswqbw69lm.jpg"/></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com14tag:blogger.com,1999:blog-8338949975142636873.post-7222368785221327702017-02-24T07:46:00.000-08:002017-02-24T07:46:14.450-08:00Special Feature: Masters Of The Universe- The Motion Picture 30th Anniversary Custom Figure Skeletor (Standard Outfit) By Matthew Hackley<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleyskelly/skelly19_zpsgk7w1k7i.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleyskelly/skelly19_zpsgk7w1k7i.jpg" border="0" alt=" photo skelly19_zpsgk7w1k7i.jpg"/></a><br><bR>
Video Spotlight:<br><BR><iframe width="600" height="338" src="https://www.youtube.com/embed/AFdNuPlznL4?rel=0" frameborder="0" allowfullscreen></iframe>
<br><bR>Pictorial Review:<br><br><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleyskelly/skelly18_zpsvv0q422d.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleyskelly/skelly18_zpsvv0q422d.jpg" border="0" alt=" photo skelly18_zpsvv0q422d.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleyskelly/skelly17_zps83obndui.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleyskelly/skelly17_zps83obndui.jpg" border="0" alt=" photo skelly17_zps83obndui.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleyskelly/skelly16_zpspm2ucmri.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleyskelly/skelly16_zpspm2ucmri.jpg" border="0" alt=" photo skelly16_zpspm2ucmri.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/hackleyskelly/skelly2_zpsrq144kov.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/hackleyskelly/skelly2_zpsrq144kov.jpg" border="0" alt=" photo skelly2_zpsrq144kov.jpg"/></a><br><BR>
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<i>A HUGE thank you to Matthew Hackley for taking on this project and putting so much work into it! These are a 30-year-old dream come true for me!
</i>
James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com2tag:blogger.com,1999:blog-8338949975142636873.post-44190400144863506422017-01-19T07:51:00.001-08:002017-01-19T07:51:20.587-08:00Starlog Issue #122 September 1987 ArticleGreat article from the <b>Starlog</b> Issue #122 on the production of the film... Enjoy!<br><bR><a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motustarlog1_zpsnemq8pmh.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motustarlog1_zpsnemq8pmh.jpg" border="0" alt=" photo motustarlog1_zpsnemq8pmh.jpg"/></a><br><BR>
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<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motustarlog5_zpsyjhlhlpj.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motustarlog5_zpsyjhlhlpj.jpg" border="0" alt=" photo motustarlog5_zpsyjhlhlpj.jpg"/></a><br><BR>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-17881733773556035202016-12-22T11:49:00.000-08:002016-12-22T11:49:37.511-08:00Starlog Issue #123 October 1987 Article<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/starlog123/motu1_zpsngegcgd2.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/starlog123/motu1_zpsngegcgd2.jpg" border="0" alt=" photo motu1_zpsngegcgd2.jpg"/></a><br><br>
Issue #123 of <b>Starlog</b> brings us this awesome little interview with star Dolph Lundgren! We get a little back story on Dolph's career path, his thoughts on what makes He-Man different than Superman, and whether or not Skeletor would be back for a sequel!<br><bR>
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<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/starlog123/motu4_zpsd4kvfv5y.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/starlog123/motu4_zpsd4kvfv5y.jpg" border="0" alt=" photo motu4_zpsd4kvfv5y.jpg"/></a><br><bR>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-65281701137368581842016-02-19T06:10:00.003-08:002016-02-19T06:10:45.974-08:00Starlog Issue #118 May 1987 Article<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motuctarlog1_zpsd0mbl4fz.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motuctarlog1_zpsd0mbl4fz.jpg" border="0" alt=" photo motuctarlog1_zpsd0mbl4fz.jpg"/></a><br><bR>
The May 1987 issue of <b>Starlog</b> gives us this awesome little interview with production designer <b>Bill Stout</b>! Enjoy!<br><bR>
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<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motuctarlog4_zpsk18olg2a.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motuctarlog4_zpsk18olg2a.jpg" border="0" alt=" photo motuctarlog4_zpsk18olg2a.jpg"/></a><br><bR>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/motuctarlog5_zpsdv1nvvdx.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motuctarlog5_zpsdv1nvvdx.jpg" border="0" alt=" photo motuctarlog5_zpsdv1nvvdx.jpg"/></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-54254468249472549342013-10-13T03:50:00.001-07:002013-10-13T03:50:37.940-07:00Q & A With Actor Jon Cypher (Man-At-Arms)! My friend John Atking brings us yet another fantastic interview... This time with Jon Cypher, the actor that gave life to Man-At-Arms!<br><br>
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<i>Jon Cypher made his television debut as the Prince in the original 1957 production of Rodgers and Hammerstein's Cinderella, opposite Julie Andrews in the title role. He is particularly remembered as Chief of Police Fletcher Daniels in Hill Street Blues, a role he played throughout the lifetime of the series (1981-1987). Jon Cypher also played General Marcus Craig on the popular television series Major Dad, and provided the voice of comic-book villain Spellbinder in the animated television series Batman Beyond. In Masters of the Universe (1987), Jon Cypher played the part of the heroic warrior Duncan: Man-at-Arms! I recently had the chance to talk with Mr. Cypher for MOTUmovie.com about his work on the film, and he was kind enough to share some of his fond memories…
</i><br><br>
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<i>1 - How did you get involved in working on the Masters of the Universe movie, and what attracted you to the role of Duncan (Man-at-Arms)?</i><br><br>
<b>I met with Gary Goddard and, initially, reading the script I wasn’t really interested because, in the original script, the part was very minimal. However, Gary assured me that he was planning to add substance to the part. So I took a chance because the film seemed like it would be fun to do. Gary was true to his word and, in fact, I actually rewrote one of the scenes and Gary liked it and added it on the very day I brought it in.</b><br><br>
<i>2 - How long did you work on the Masters of the Universe movie for?</i><br><Br>
<b>It’s a long time ago, but I think we were on the shoot for about two months.</b><br><Br>
<i>3 - Do you remember your first day on set?</i><br><br>
<b>I can’t even remember what I had for breakfast much less that first day! Well, actually that’s not true because, as I think of it, I remember Dolph’s wonderful smile of welcome.</b><br><Br>
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<i>4 - What was the atmosphere like on set?</i><br><bR>
<b>It was a great company. Everyone was very warm and friendly.</b><br><br>
<i>5 - Man-at-Arms was one of the main characters in the He-Man and the Masters of the Universe cartoon. Did you watch any episodes from the 80's cartoon for reference in playing your character?</i><br><br>
<b>No. I’ve played some historic characters in my time and I never researched them. I figured whomever I’m playing become me. For example, I played Thomas Jefferson for a year in the hit Broadway musical 1776 and I was asked once in an interview how I had researched the role and I said, “I looked at a nickel!”</b><br><br>
<i>6 - What did you think of William Stout's costume design for Man-at-Arms, and what was it like to perform in as an actor?</i><br><br>
<b>I loved the costume and it was easy to work in. Frequently when actors are trying to get inside a character, it finally comes together when they get into costume. I felt that way with that sword on my back and the rest of it… I was ready to go.
</b><br><br>
<i>7 - What memories do you have of working with Dolph Lundgren, Chelsea Field, Billy Barty, and the rest of the cast and crew? Have you kept in touch with any of them over the years?</i><br><br>
<b>I have wonderful memories of everyone in the cast. Dolph Lundgren has the best smile in the known universe and is a very, very sweet man. I remember him pumping up with weights while waiting for the shot and just throwing the weights on the ground the moment the First Assistant Director started to call the shot and entering the shot just as the director yelled “Action.” And, boy, those veins were popping! As you all know, Billy Barty was a legend and I was thrilled to work with him. I remember using the word “dwarf” in his presence and he chided me immediately and informed me that it was an unacceptable word. The proper word he informed me was “little people.” I haven’t used the improper word since that day. The person I was closest to was, of course, Chelsea Field and, yes, we have stayed in touch. I live in Oregon now, and we haven’t seen one another for several years, although we’ve spoken on the phone. I felt like her father in real life. Still do. She’s a beautiful woman from every point of view...inside and out. And I’m so happy she’s found great happiness with Scott Bakula. Courtney Cox and I became friends, but then she got very rich and famous on Friends, and our friendship ran out.</b><br><br>
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<i>8 - Did you get to keep any cool stuff from the film? (Props? Costumes? Memorabilia?)</i><br><br>
<b>No. I wish I had been able to keep something but film companies are ordinarily unwilling to hand stuff out in case they have to reshoot something that will require clothing or a prop. Anyway, I think I’d look funny walking around dressed like Man-at-Arms.</b><br><br>
<i>9 - What did you think of the film when you saw it back in 1987? Looking back, have your thoughts on the film changed at all?</i><br><br>
<b>All in all, I think it fulfilled what it set out to do. I’ve never seen it again after the initial screening. But I remember being pleased with what I saw. It was for me a very difficult shoot because we did a lot of night shooting at a distance from LA (I think we were shooting a lot in Whittier, the town where President Nixon had lived) and I was also doing the last season of Hill Street Blues (seven seasons as Chief of Police Daniels) at the time during many shooting days. That was a killer. It meant working all night and then racing back to LA to work all day. But, hey, where else do you get to be the “second greatest swordfighter in the Universe” even though, damn it, I never got to draw my sword.</b><br><br>
<i>10 - Sony Pictures plans on making a new "He-Man" movie in 2015. Is there any actor working today that you could see playing the role of Man-at-Arms?</i><br><br>
<b>Well, it should be an older guy with greying hair, but since most actors dye their hair when they get older (so they don't look like they're older) they'll almost certainly have to come back and hire me! On the other hand, Man-at-Arms with a cane doesn't quite work.</b><br><br>
<i>11 - Mattel has a new He-Man toy line in production for adult collectors called Masters of the Universe: Classics. Would you like to see a "Man-at-Arms" action figure made someday with your likeness?
</i><br><br>
<b>Now there's a question! Hmmm! Even though I'm a member of the Academy of Motion Picture Arts and Sciences, I guess I'm never going to get an Oscar or even a measly nomination, so it actually might be cool to have a toy for the mantelpiece that looks like me. And, wow, get this… I could spray-paint my little self gold… have a nifty plaque inscribed for the base, and who would ever know? Well, except me, of course... ;)<br><br>With love to all, Jon.</b><br><br>
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...A VERY big thank you to Jon Cypher for his kindness, and for taking the time to answer questions for MOTUmovie.com!
James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com4tag:blogger.com,1999:blog-8338949975142636873.post-25645747317588791372013-10-12T04:25:00.000-07:002013-10-12T04:25:10.018-07:00Q & A With Actor Robert Towers (Karg)! Another great interview from my friend John Atkin... This time it's with the actor that brought life to Karg- Robert Towers!<br><br>
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<i>The multi-talented Robert Towers is an actor of the stage, screen, radio and television. His diverse career as a talented voice-over artist has included roles in SUPER FRIENDS, THE REAL GHOSTBUSTERS, DOCTOR DOLITTLE, BETTY BOOP, and as Snoopy in YOU'RE A GOOD MAN, CHARLIE BROWN. His film appearances include MASTERS OF THE UNIVERSE, LET IT RIDE, SWITCH, DON'T LOOK UP and THE CURIOUS CASE OF BENJAMIN BUTTON. He has performed in numerous television series, including STAR TREK: THE NEXT GENERATION, ANGEL, IT'S ALWAYS SUNNY IN PHILADELPHIA, and GHOST WHISPERER.</i><br><br>
<i>In MASTERS OF THE UNIVERSE (1987), Robert Towers played the part of the devious half-man, half-bat creature known as Karg - a strange, gothic creature with long white hair, pointed ears, and a hook in place of his left hand. Skeletor (Frank Langella) sends Karg and his team of bounty hunters to Earth to capture He-Man (Dolph Lundgren), and to retrieve the mysterious Cosmic Key. I recently had the chance to talk with Mr. Towers about his work on the film for MOTUmovie.com, and he was kind enough to share with us some of his memories from his time working on the film…</i><br><br>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/Towers1_zps674f91f7.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/Towers1_zps674f91f7.jpg" border="0" alt=" photo Towers1_zps674f91f7.jpg"/></a><br><br>
<i>1 - How did you get involved in the Masters of the Universe movie? Did you audition for the character of Karg specifically, or did you audition for any other characters in the film?</i><br><br>
<b>I was performing in Universal Studios CONAN, which had been built by Gary Goddard's company. I was playing a wizard (Kalias), which was the only real acting role in the show. Gary called me in to his office to audition for the role of Karg, and after two grueling callbacks (with lots of physical and emotional stuff not seen in the film) I was fortunately cast. I had been acting since the age of six, beginning in radio (I could read early), through to stage, film and television. My most notable role until MASTERS OF THE UNIVERSE was in the Los Angeles production as Snoopy in YOU'RE A GOOD MAN, CHARLIE BROWN with Gary Burghoff and Judy Kaye, which ran nearly two years. I only auditioned for Karg, which was written with a short actor in mind, and I am 5''3".</b><br><br>
<i>2 - How long did you work on the movie for, and what was the atmosphere like on set?</i><br><br>
<b>I worked on and off, depending upon what was being shot, for close to three months. Being that it was an FX movie, it moved quite slowly, and as much of the shooting was at night, we were lucky to get a page a day completed. Mr. Langella had been hired, but did not work (except for makeup tests) for at least the first six weeks. The atmosphere on the set was busy, especially with the physical preparation, and sometimes hectic. It was generally friendly especially amongst us monsters. But we also had friends in Billy Barty and his double (who was his attorney - also a little person), and some of the others. The atmosphere was workmanlike, but as the weeks went on, the slowness began to wear on some people. Even the ever-patient Billy lost it one day, when he had been in full makeup, which took hours like mine did, waited for over twelve hours and was not used for two days in a row. Not good planning for a man of his age and stature and health.</b><br><br>
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<i>3 - Karg was the leader of the bounty hunters in the movie. As a brand new character introduced in the film, there wasn't any previous material to work from. Did this allow you more freedom to flesh out the character on your own?</i><br><Br>
<b>I had a free rein with Karg and his wonderful makeup and outfit. Gary gave me some ideas, and I filled in the rest; particularly vocally. I wanted him to believe his size and sound somehow otherworldly. Being in a prosthetic, it sometimes was more like puppetry than true film acting. But I think the collaboration with Gary worked. Once the film was under way, as we were far behind, Gary had to become more of a traffic cop, especially with all the setups and the producers breathing down his neck, so I was generally left to my own devices creatively. Thank God for my Classic Theatre and Mime training. It helped.
</b><br><br>
<i>4 - Academy Award winner Michael Westmore executed the makeup for Karg, giving the character one of the most elaborate designs in the film. What was it like wearing the makeup in the film, and how long did it take to put on for your scenes?</i><br><br>
<b>Once the makeup was on, it stayed on for the entire day, which was usually twelve hours or more. Even during our meals, I tried not to eat anything that might loosen the prosthetic or affect the makeup, although we would all need occasional retouching. The eyes were glass contacts made to resemble animal eyes. They had to be put in just before a take and could only be used for a half-hour without causing damage. One time they were in for a long series of shots lasting over an hour, and I developed a corneal abrasion and was off the film for two days to recover, while my stand-in did some long shots. Mike Westmore was wonderful. He was easy to work with and very creative. I had done a face cast months before and he built the prosthetics from it. I mostly worked with his assistant who carried out his plans. It usually took somewhere between three to four hours to apply the prosthetics and makeup. It was uncomfortable at first, and then I became accustomed to it, though I had mostly tunnel vision. I lived in fear that it would loosen or come off and I would have to start all over again. That never happened, thank goodness, but it was important I made the makeup part of me for the film. I remembered how Roddy McDowall had used his makeup in PLANET OF THE APES and emulated that.</b><br><br>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/karg_masters-of-the-universe-1987-1_zpsa4dc3126.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/karg_masters-of-the-universe-1987-1_zpsa4dc3126.jpg" border="0" alt=" photo karg_masters-of-the-universe-1987-1_zpsa4dc3126.jpg"/></a><br><br>
<i>5 - What did you think of William Stout's elaborate costume design for Karg and what was it like to perform in as an actor?</i><br><br>
<b>I LOVED my costume. It was so great, with the little daggers and the hook and the cape. I was really inspired by it. Just walking in it gave the character a swagger that I had not considered before. The only negative about the costume was that every time I ran or moved quickly, the little daggers would stab me. I can still feel it. The costume and the makeup made me, for the first time in my acting experience, work from the outside in, rather than the other way I usually developed a character. They inspired and gave me the essence of Karg's character.</b><br><br>
<i>6 - What memories do you have of working with Dolph Lundgren, Frank Langella, and the rest of the cast and crew? Have you kept in touch with any of them over the years?</i><br><br>
<b>Dolph Lundgren was friendly, but very busy. When he wasn't shooting, he was being coached in acting, and physically trained while watching his diet. I didn't see him in the makeup room, where you usually get to know your other cast members. On the other hand, the great Frank Langella was with us quite often, as they went through many changes in his makeup (and still never got it right). He was affable and approachable and very witty. Billy Barty had so many stories after fifty years in the business, and I felt like a novice listening to him. The ladies were also very nice, especially Christina Pickles. All in all, there was a nice rapport with the cast members, although the length of the shoot and the days and the slow progress made tempers occasionally short. Anthony DeLongis and I got to be good friends, and we also worked together briefly at Universal. He is a genius swordsman (he doubled as Skeletor in the big fight) and a good human being. I just saw him on a Blu-ray of Jet Li's FEARLESS, doing his usual great sword work.</b><br><br>
<i>7 - Did you get to keep any cool stuff from the film?</i><br><br>
<b>I saved a prosthetic, but it has recently fallen apart. I would love to have had, at least, something from my costume, but I am too ethical, damn it!</b><br><br>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/towers3_zps0bf8465b.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/towers3_zps0bf8465b.jpg" border="0" alt=" photo towers3_zps0bf8465b.jpg"/></a><br><br>
<i>8 - What did you think of the film when you saw it back in 1987? Looking back, have your thoughts on the film changed at all?
</i><br><br>
<b>I first saw it, not at a preview, but at a theatre with an audience with my wife and friends. Frankly, it seemed derivative, and not very good. It was kind of a B movie rip-off, with Billy Barty walking away with the film and Frank Langella doing what he could with a skull face, but letting us know there is still a great actor in there, somewhere. I was pleased to have done it, and hoped kids would like it. I said, at the time, that it was a film for ten year old boys of all ages. Having watched the movie again recently, it is better than I remembered it. I just wish it were lighter. If it had been lighter and He-Man made more fun and likeable, it might have been a minor classic.
</b><br><br>
<i>9 - You have played some memorable 'creature' roles on shows like Star Trek: The Next Generation and Angel. Do you think your work on Masters of the Universe helped lead to any of those parts?</i><br><br>
<b>STAR TREK, where I played a Ferengi, also had makeup by Michael Westmore, and it was a nice reunion. And much less time in the makeup chair. I played a Bug King on ANGEL, and a little monster in a film called DONT LOOK UP. I had done Prosthetic roles before MASTERS (including over ten years as Captain Crook for MacDonald’s commercials) but it was certainly my agent's selling point for a long time. What MASTERS did, mostly, was put me in contact with some very good people.</b><br><br>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/Rata_zpsab2f45a3.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/Rata_zpsab2f45a3.jpg" border="0" alt=" photo Rata_zpsab2f45a3.jpg"/></a><br><br>
<i>10 - Mattel made Saurod, Blade, and Gwildor into action figure toys, but for some reason Karg never got one. Do you know if there was a toy planned for your character, and where you disappointed at all that you didn’t get an action figure?</i><br><br>
<b>I posed on the set, while they photographed me for hours and hours, to make a Karg toy. That never happened. I own a Gwildor toy in honor of my friend who is no longer with us. I was disappointed, but Mattel kept saying that one would come out eventually. I'm still waiting.</b><br><br>
<i>11 - Now that there is a new He-Man toy line in production (Masters of the Universe: Classics), would you like to finally see an action figure made of Karg?</i><br><br>
<b>I would love to see a new Karg toy come out!</b><br><br>
<a href="http://s57.photobucket.com/user/sallah4life/media/motumoviestuff/HighPriestAngel_zps0a55476d.jpg.html" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/HighPriestAngel_zps0a55476d.jpg" border="0" alt=" photo HighPriestAngel_zps0a55476d.jpg"/></a><br><br>
<i>12 - A new Masters of the Universe film is being produced by Sony Pictures. If asked, would you ever want to reprise your role as Karg, or possibly play a new character?</i><br><Br>
<b>Yes, I would play Karg again, no matter how long the makeup process, in the new film. Or even a taller Gwildor. Always the actor, you see. I love to work, because an actor cannot grow unless he performs. An artist has their canvass, an author has their paper or computer… but an actor must learn lines and create a character and make it real for an audience. For me, that is what life is all about.</b><br><br>
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...A VERY big thank you to Robert Towers for his kindness, and for taking the time to answer questions for his fans at MOTUmovie.com!James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-43621593679262393412012-07-29T03:34:00.000-07:002012-07-29T03:34:12.945-07:00A Message From Pons Maar (Saurod)- "Save Club Eternia!"We interrupt this blog to bring you a public service announcement from Pons Maar... <br><br>
<iframe width="600" height="338" src="http://www.youtube.com/embed/rMGVDoZShWM?rel=0" frameborder="0" allowfullscreen></iframe>
<br><br>
Head <a href="http://www.clubs.mattycollector.com/store/mattycol/en_US/pd/productID.249805700">HERE</a> to order your <a href="http://www.clubs.mattycollector.com/store/mattycol/en_US/pd/productID.249805700">2013 Club Eternia Subscription</a>! Special thanks to John Atkin on this video!James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com2tag:blogger.com,1999:blog-8338949975142636873.post-40444439627559551492012-02-16T10:29:00.000-08:002012-02-16T10:32:08.702-08:00Merchandise: Panini Sticker Album AdvertisementQuick post today- A slick advertisement (featured in the UK MOTU Magazine) for the AWESOME Panini Masters of the Universe Movie Sticker Album! <br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=paniniad.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/paniniad.jpg" border="0" alt="Photobucket"></a><br /><br />We'll take a more in-depth look at the Panini stickers & album in the coming months!James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com1tag:blogger.com,1999:blog-8338949975142636873.post-42036424481976932792012-01-27T07:00:00.000-08:002012-01-27T07:09:22.166-08:00Promotional Material: African Film Poster PaintingCheck out this amazing rendition of the Drew Struzan poster used to promote showings of the film in Africa-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=motuposter.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/motuposter.jpg" border="0" alt="Photobucket"></a><br /><br />This painting was used to advertise a mobile film screening in Ghana. What you are seeing here is an actual oil painting used for promotion- not a print or a copy.<br /><br />Here's a little more info on how these were used (taken from a book based on this procedure):<br /><br /><span style="font-style:italic;">"During the 1980s a group of entrepreneurs in Ghana created small-scale, mobile film-distribution empires, hitting the road with videocassettes, television monitors, portable gas-powered generators and rolled-up, hand-painted, artist-signed canvas posters. This new medium created the first opportunity for some of the best young painters in Ghana to express themselves on a public scale. In the frequent absence of an original image upon which to base the work they had been commissioned to produce, the artists inevitably created cinematic paintings that were largely interpretive and imagination-driven."</span><br /><br />The painting is actually for sale right now here: <a href="http://www.etsy.com/listing/90282488/masters-of-the-universe-african?ref=sr_gallery_5&sref=&ga_search_submit=&ga_search_query=masters+of+the+universe&ga_view_type=gallery&ga_ship_to=US&ga_search_type=handmade&ga_facet=handmade">MOTU Painting On Etsy</a>. If I had the extra cash, I would be all over it. Even though we've seen this art many times before... hearing how this came to be is quite cool. :)James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com1tag:blogger.com,1999:blog-8338949975142636873.post-13938975252496775142012-01-05T17:25:00.000-08:002012-01-05T17:26:30.975-08:00Pre-Production Art: Gwildor Case StudyPictures of this amazing Gwildor case study were posted by Theresa Cardinali, who is listed in the film credits as being part of the crew. The maquette was produced to give a three-dimensional rendering of Gwildor's look before filming began. Theresa's explanation follows the pics...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=gwildor.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/gwildor.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=gwildor2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/gwildor2.jpg" border="0" alt="Photobucket"></a><br /><br /><span style="font-style:italic;">1987 Masters of the Universe Costume design study for Character: Gwildor. I was literally asked to sculpt this figure over night by Gary Goddard, Director and my boss at at the time at Landmark Entertainment Group. Artwork designs were provided. I was especially intrigued by making all the accouterments Gwildor was wearing and holding. Joe De Reis, My art director at the time, completed the figure finishing in even less time then i had to sculpt. Joe are in the film credits and listed as Other Crew. The Maquette went missing after the film was finished but, I am sure it has a good home... -Theresa Cardinali</span><br /><br />This is a truly amazing piece that shows the detail that went into every aspect of this film. I would love to know where this ended up!<br /><br />To see more of Theresa's work, check out her Flickr account <a href="http://www.flickr.com/photos/theresa-cardinali/">HERE</a>.<br /><br />... and a huge thanks to Tallstar for finding these pictures!James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com3tag:blogger.com,1999:blog-8338949975142636873.post-77946564704938076582011-12-08T14:20:00.000-08:002011-12-31T03:34:46.414-08:00Masters Of The Universe Official Poster Magazine Article- "Bounty Hunters" Poster<a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view¤t=motupostermagcover.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/motupostermagcover.jpg" border="0" alt="Photobucket"></a><br /><br />Here's a pretty cool shot of the curious quartet from the "Official Poster Magazine". This is actually one of the large, fold-out posters from the book, but it appears to perhaps be a behind-the-scenes photo (as evidenced by the rather large grin on Blade's face). Kinda reminds of a yearbook photo- "Snake Mountain High Fencing Team, Class of 1987"<br /><br />Oh... And please pardon my poor photoshop skills in reassembling the image... but you get the idea. :)<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=quartet.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/quartet.jpg" border="0" alt="Photobucket"></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com2tag:blogger.com,1999:blog-8338949975142636873.post-74085358617807563112011-09-18T06:14:00.000-07:002011-09-18T06:18:13.728-07:00Movie Memorabilia: Japanese Movie TicketReally quick post today- A used ticket presumably from the premiere of the film in Japan. I wish movie tickets looked this cool here in the states...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=ticket.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/ticket.jpg" border="0" alt="Photobucket"></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-24805131391655732542011-09-12T14:19:00.000-07:002011-09-12T15:12:18.755-07:00Storyboard Comparison- "Skeletor's Arrival On Earth"After a long delay... Here is MOTUMovie.com's second storyboard comparison! This time around, we're looking at the storyboards for one of the more iconic scenes in the film- Skeletor's arrival on Earth!<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/1.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=1-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/1-film.jpg" border="0" alt="Photobucket"></a><br /><br />The storyboard set opens with the good guys moving cautiously through the streets...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/2.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=2-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/2-film.jpg" border="0" alt="Photobucket"></a><br /><br />Sounds rise from the dimensional door, causing the group to turn.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/3.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=3-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/3-film.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=4.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/4.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=4-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/4-film.jpg" border="0" alt="Photobucket"></a><br /><br />The door brightens in intensity as it opens, building into an almost blinding white-violet.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=5.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/5.jpg" border="0" alt="Photobucket"></a><br /><br />Since the storyboards were drawn during an early stage of production, many differences in the story appear throughout. This storyboard shows our first divergence in the scene. In the film, Evil-Lyn and the mercenaries were not present at Skeletor's arrival. Her group was located in a different part of the city, forcing Skeletor to communicate with her through their ships. In this earlier version, Evil-Lyn and her group are at the location of Skeletor's arrival. Though this scene doesn't appear in the film, the staging is close to an earlier scene of Evil-Lyn opening the portal-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=5-filmsimilar.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/5-filmsimilar.jpg" border="0" alt="Photobucket"></a><br /><br />It isn't hard to imagine these scenes taking place in the same area.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=6.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/6.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=6-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/6-film.jpg" border="0" alt="Photobucket"></a><br /><br />As the portals size and power increases, the heroes can do little more than look on in astonishment.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=7.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/7.jpg" border="0" alt="Photobucket"></a><br /><br />Another shot not in the film. Evil-Lyn and her group were originally intended to stand in silhouette against the portal's brightness.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=8.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/8.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=8-filmsimilar.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/8-filmsimilar.jpg" border="0" alt="Photobucket"></a><br /><br />A closeup of He-Man's reaction to the portal. Not used in the film, but similar in structure to an earlier brief solitary shot of He-Man. <br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=9.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/9.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=9-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/9-film.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=10.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/10.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=10-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/10-film.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=11.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/11.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=11-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/11-film.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=12.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/12.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=12-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/12-film.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=13.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/13.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=13-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/13-film.jpg" border="0" alt="Photobucket"></a><br /><br />The scenes of Skeletor's troops (and ship) emerging through the portal are recreated almost exactly in the film. This was most likely due to the heavy effects work in theses scenes. Note again the presence of Evil-Lyn and one of the mercenaries in the latter 2 boards.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=14.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/14.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=14-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/14-film.jpg" border="0" alt="Photobucket"></a><br /><br />Skeletor's ship arrives, dominating the scene...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=15.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/15.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=15-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/15-film.jpg" border="0" alt="Photobucket"></a><br /><br />...followed by a closeup shot of Skeletor.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=16.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/16.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=16-filmsimilar.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/16-filmsimilar.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=17.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/17.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=17-filmsimilar.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/17-filmsimilar.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=18.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/18.jpg" border="0" alt="Photobucket"></a><br /><br />Due to the overwhelming amount of Skeletor's forces, the heroes are forced to flee from the scene. Note that in the storyboards, Gwildor runs on his own. He is carried by He-Man in the film, most likely due to Billy Barty's bad leg.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=19.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/19.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=20.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/20.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=21.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/21.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=22.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/22.jpg" border="0" alt="Photobucket"></a><br /><br />Another scene not used in the final film- Detective Lubic tries to use the radio in his car and a pay phone to call for backup, but has no luck with either. Lubic then witnesses Skeletor's forces moving down the street and immediately jumps in his vehicle and beats a hasty retreat.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=Untitled-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/Untitled-1.jpg" border="0" alt="Photobucket"></a><br /><br />The storyboards shift back to Skeletor with a view of the ship's control area. Note that in the stroyboard, Evil-Lyn is present in this scene. A pretty major divergence occurs again here. In the original storyboards, Evil-Lyn explains in person that they have captured the key, but that "the Thenurian has escaped us".<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=24.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/24.jpg" border="0" alt="Photobucket"></a><br /><br />Skeletor's reaction to this news is much different in the original storyboards than it is in the film. Instead of showing disappointment in the heroes' escape, Skeletor says "I will see to He-man... You have done well".<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=25.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/25.jpg" border="0" alt="Photobucket"></a><br /><br />Evil-Lyn then moves off, commanding troops as she walks. <br /><br />A revised set of storyboards show a version much closer to the actual film-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23-revision.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23-revision.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23-revisionfilm1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23-revisionfilm1.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23-revisionfilm2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23-revisionfilm2.jpg" border="0" alt="Photobucket"></a><br /><br />A comtech advises Evil-Lyn that Skeletor demands a report. Evil-Lyn replies that they have the key, but that He-Man has eluded them. The storyboard only shows one perspective on this scene, which is split into two different shots in the movie: a group shot on Evil-Lyn's barge, and a closeup of Evil-Lyn.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23-revision2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23-revision2.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23-revision2film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23-revision2film.jpg" border="0" alt="Photobucket"></a><br /><br />Skeletor's displeasure is present on the revised boards. Here, he reacts with a quick "That will be all", just like in the film.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=23-revision3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/23-revision3.jpg" border="0" alt="Photobucket"></a><br /><br />The final shot of these revised boards shows the pilot of Skeletor's ship relaying his message, which is not present in the final film.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=26.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/26.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=26-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/26-film.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=27.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/27.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=27-film.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/27-film.jpg" border="0" alt="Photobucket"></a><br /><br />The film gets back on track with the original storyboards, as Skeletor motions his air centurions to begin their pursuit.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/?action=view&current=28.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/skeletorsarrival/28.jpg" border="0" alt="Photobucket"></a><br /><br />Evil-Lyn moves off with her forces in this closing shot from this set of boards- a scene not shown in the film.<br /><br />Next time around: "The Air Centurion Sequence"!James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com1tag:blogger.com,1999:blog-8338949975142636873.post-48037283148121923192011-08-27T05:31:00.000-07:002011-12-31T03:28:02.401-08:00Pre-Production Painting: "Eternia"This painting was part of a batch of pre-production art for the film sold on eBay recently. A giant landscape of Eternia is the setting for this concept piece. The conceptual art featured here shows the vast scope that the film employed before budgetary constraints forced a more focused view for Eternia, primarily limited to Castle Grayskull itself. One of the more interesting aspects of this beautiful piece is the situation of Grayskull atop a large mountain... which may have been due to the deleted scenes dealing with the "catacombs beneath Grayskull". Though listed as conceptual art, this might have also been done as a possible cover piece for some sort of publication. If you look at the art, it seems as if Grayskull and the MOTU logo are meant as a front cover, with the landscape folded around onto the back. There's also the large space above the cityscape, which was possibly left open for text. Very cool stuff!<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/1.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/2.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/3.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=6.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/6.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=5.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/5.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=9.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/9.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=8.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/8.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=10.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/10.jpg" border="0" alt="Photobucket"></a><br /><br />Landmark credits the art to a "D. Magnon", though this may be an error. I can't find any listing for a Magnon in the credits, and the signature on the piece looks more like "D. Negron"-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=4.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/4.jpg" border="0" alt="Photobucket"></a><br /><br />The credits do list a David Negron as a storyboard artist for the film. It is possible that this piece was painted by him.James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-73460351859570160912011-08-17T06:24:00.000-07:002011-12-31T03:33:02.775-08:00Masters Of The Universe Magazine Summer 1987 Earl Norem Poster InsertBeen meaning to update this one for awhile now... Here's a better version of the Earl Norem poster previously spotlighted <a href="http://www.motumovie.com/2010/09/masters-of-universe-magazine-summer.html">HERE</a>. Clicking the image below should bring up a much larger version. HUGE thanks to Mr. Eamon O'Donoghue for cleaning up my scans and reassembling this beauty for us!<br /><br /><a href="http://i57.photobucket.com/albums/g220/sallah4life/MOTUMovNorem.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/MOTUMovNorem-1.jpg" border="0" alt="Photobucket"></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-29219622179942906222011-08-08T07:33:00.000-07:002011-08-08T07:39:42.933-07:00Evil-Lyn's Barge Miniature Shooting ModelThis miniature model (used for filming scenes featuring the full shots of Skeletor's barge) was auctioned off a few years ago through "Profiles In History". It is constructed of resin and plastic elements, and measures 61 in. long x 34 in. wide (at wing tips). This barge/troop transporter was designed by master illustrator Ron Cobb and built by the Boss Film modelshop.
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<br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=evillynbarge6.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynbarge6.jpg" border="0" alt="Photobucket"></a>
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<br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=evillynbarge4.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynbarge4.jpg" border="0" alt="Photobucket"></a>
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<br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=evillynbarge3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynbarge3.jpg" border="0" alt="Photobucket"></a>
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<br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=evillynbarge2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynbarge2.jpg" border="0" alt="Photobucket"></a>
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<br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=evillynbarge5.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynbarge5.jpg" border="0" alt="Photobucket"></a>
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<br />And how it appeared in the film:
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<br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=evillynbarge.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/evillynbarge.jpg" border="0" alt="Photobucket"></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-2724332045626739922011-04-12T07:55:00.000-07:002011-04-12T08:06:58.386-07:00Skeletor's Barge Miniature Shooting ModelThis miniature model (used for filming scenes featuring the full shots of Skeletor's barge) was auctioned off a few years ago through "Profiles In History". It is constructed of resin and plastic elements, and measures 51 in. long x 23 in. tall. The model was wired with electronics so that the ship could have it's own interior lighting. <br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge10.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge10.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge5.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge5.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge4.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge4.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge.jpg" border="0" alt="Photobucket"></a><br /><br />The model features miniature figures of Skeletor, 2 warriors, and one of the "warlords". Since these wouldn't be clearly visible on screen, the figures aren't incredibly detailed... but still manage to capture the look of the characters.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge8.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge8.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge7.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge7.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge6.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge6.jpg" border="0" alt="Photobucket"></a><br /><br />Lastly, here are a couple of shots of the model as it appears in the film-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge3.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/motumoviestuff/?action=view&current=skeletorbarge2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/motumoviestuff/skeletorbarge2.jpg" border="0" alt="Photobucket"></a><br /><br />*Credit to "Profiles In History" for the pictures presented here.James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com2tag:blogger.com,1999:blog-8338949975142636873.post-80449908599523092422011-03-29T14:04:00.000-07:002011-03-29T14:27:41.886-07:00Movie Memorabilia: Film Crew Jacket<a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=jacketfront.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/jacketfront.jpg" border="0" alt="Photobucket"></a><br /><br />Like many other film projects, the production crew on Masters were given special jackets while making the movie. The MOTU crew jacket was made by "On Stage Design" (conveniently located in California). The back of the jacket features a beautifully embroidered "Masters" logo, with the film's tagline "Coming To Earth 1987" and "Canon Films Inc." placed directly beneath it.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=jacketfull.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/jacketfull.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=jacketlogo.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/jacketlogo.jpg" border="0" alt="Photobucket"></a><br /><br />Each jacket was individually embroidered with the crew member's name, followed by the division of production in which they worked. In the case of this jacket, the worker's name was Ben, apparently from the stunt department. <br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=jacketben.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/jacketben.jpg" border="0" alt="Photobucket"></a><br /><br />The credits from the film list a Ben Scott as working in the stunt department. Ben Scott is the son of the film's stunt coordinator Walter Scott (who also portrayed Julie's father). In all likelihood, this jacket belonged to him.James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-32071066571859978282011-03-25T07:12:00.000-07:002011-12-31T03:27:49.849-08:00Pre-Production Painting: "Stalking He-Man" (By Claudio Mazzoli)This piece of art was part of a batch of pre-production paintings for the film sold on eBay recently. The painting depicts a scene of He-Man and Julie hiding amongst the trees, while an army of Skeletor's troops moves from the city towards them. While this scene does not appear in the film, the He-Man and Julie pairing survives in the scene where He-Man defends her from the "curious quartet". Of interest here is the early take on He-Man's appearance. While the sword is fairly close to what would be seen in the film, He-man's attire looks very much like the vintage "Battle Armor" action figure...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=1-2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/1-2.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=3-3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/3-3.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=4-3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/4-3.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=2-2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/2-2.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=5-3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/5-3.jpg" border="0" alt="Photobucket"></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com1tag:blogger.com,1999:blog-8338949975142636873.post-19545075114665965882011-01-18T06:52:00.001-08:002011-12-31T03:37:53.599-08:00Storyboard Comparison- "The Curious Quartet"Presenting the first of MOTUMovie.com's storyboard sequence comparisons! I figured what better way to start than with one of my favorite scenes from the film- The introduction of Skeletor's warriors!<br /><br />What makes this one extra neat is the fact that the storyboard for this sequence was handled by William Stout, the film's production designer! Here's his original setup for the sequence-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=intro.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/intro.jpg" alt="Photobucket" border="0" /></a><br /><br />Stout makes note of "makeshift electrical overrides" in his intro, alluding to the fact that Skeletor and his crew have had to convert this room in Castle Grayskull to their own purposes.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/1.jpg" alt="Photobucket" border="0" /></a><br /><br />The opening board has the viewscreen dominating most of the shot. Take note of Stout's breakdown of character placement, especially the "quartet".<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=1-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/1-1.jpg" alt="Photobucket" border="0" /></a><br /><br />The scene from the film mirrors Stout's board almost exactly. Karg and company are visible in this shot, which you may have missed when viewing the film.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=2.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/2.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=2-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/2-1.jpg" alt="Photobucket" border="0" /></a><br /><br />The next board shows a comm tech making adjustments in his crane-like pod. The shot in the film is pretty close here, but actually takes place before the viewscreen shot.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=3.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/3.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=3-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/3-1.jpg" alt="Photobucket" border="0" /></a><br /><br />Stout describes the zooming shots on the viewscreen as "powers of 10" on these storyboards, meaning the camera is homing in on the key's location by degrees of 10.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=4.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/4.jpg" alt="Photobucket" border="0" /></a><br /><br />The next board shows a scene not featured in the film. Instead of Skeletor merely doing a voice over for the "that's close enough" line, the scene originally shows Skeletor speaking this line in view of the camera. Evil-Lyn would have also reacted in shock, now knowing that Skeletor had glided up beside her.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=5.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/5.jpg" alt="Photobucket" border="0" /><br /><br /></a><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=5-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/5-1.jpg" alt="Photobucket" border="0" /></a><br /><br />We quickly shift back to the viewscreen, where the "powers of 10" has come to a stop. Red arrows illuminate the key's position. This shot is replicated almost exactly in the film, though the zooming sequence is uninterrupted by the Skeletor shot in the final version.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=6.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/6.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=6-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/6-1.jpg" alt="Photobucket" border="0" /></a><br /><br />Next, the storyboards show Skeletor striding towards the screen, fixated on the image and ignoring Evil-Lyn. This scene does not appear in the film, though the placement of the characters is the same as in later shots from this sequence-<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=7.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/7.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=7-.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/7-.jpg" alt="Photobucket" border="0" /></a><br /><br />Skeletor stares at the screen in the next shot. This scene is also not present in the film, though the staging is the same as another shot later in the sequence. In the film, Skeletor only stares at the image for a brief moment before turning to Evil-Lyn and inquiring on the status of the mercenaries.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=8.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/8.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=8-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/8-1.jpg" alt="Photobucket" border="0" /></a><br /><br />The introduction of the mercenaries flows a bit differently in the storyboards than it does in the film. Originally, Skeletor would have addressed them directly instead of Evil-Lyn introducing them. Skeletor's turn towards the henchman is still present in the movie, though he is now accompanied by Evil-Lyn (who now provides the dialogue).<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=9.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/9.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=9-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/9-1.jpg" alt="Photobucket" border="0" /></a><br /><br />Though not quite as shadowed as they were in the storyboard, the introducing shot of the mercenaries is pretty close in the film version. The main difference is the order in which the characters are placed. The storyboards have a different sequence of introduction than the film, so the characters were switched around to reflect this change.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=10.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/10.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=10-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/10-1.jpg" alt="Photobucket" border="0" /></a><br /><br />The boards show Skeletor addressing Karg first, while the film has Evil-Lyn introducing Blade initially.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=11.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/11.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=11-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/11-1.jpg" alt="Photobucket" border="0" /></a><br /><br />Karg moves into the light from the group shot in response to Skeletor in the storyboards, while he is actually introduced last in the film. Each of the mercenaries "walk into the light" in the film, though they are isolated solo shots instead of moving forward from a group.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=12.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/12.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=12-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/12-1.jpg" alt="Photobucket" border="0" /></a><br /><br />Next up is Blade, who is actually the first introduced in the movie.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=13.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/13.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=13a.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/13a.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=13b.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/13b.jpg" alt="Photobucket" border="0" /></a><br /><br />Lastly, Beastman and Saurod are introduced. Though the board shows both lighted at once, the intention was for each to come forward separately as seen in the film.<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=14.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/14.jpg" alt="Photobucket" border="0" /></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/?action=view&current=14-1.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanstoryboardcomparisons/curiousquartet/14-1.jpg" alt="Photobucket" border="0" /></a><br /><br />The closing storyboard of the sequence has Skeletor giving command of the expedition to Karg, while the film shows a panning shot of Skeletor addressing the group as a whole. It's interesting to see Karg's importance in these boards, as the film does seem to show him in command of the mercenaries, but doesn't explain it to this degree.<br /><br />Hope you enjoyed this first one! More to come!<br /><br />-JamesJames Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-25013773875289793802011-01-17T06:44:00.000-08:002011-01-17T06:50:23.847-08:00UK Masters Of The Universe Magazine Issue 46 Movie AdvertisementHere's a great full page ad for the film from issue 46 of the UK MOTU Magazine. I'm a huge fan of the poster that this ad is derived from...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/?action=view&current=moviead.gif" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/moviead.gif" border="0" alt="Photobucket"></a>James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0tag:blogger.com,1999:blog-8338949975142636873.post-36191072493896684552010-12-28T06:38:00.000-08:002011-12-31T03:27:34.494-08:00Pre-Production Painting: "Jumpstarting The Machine" (By Claudio Mazzoli)This piece of art was part of a batch of pre-production paintings for the film sold on eBay recently. The painting depicts an early version of the scene where the heroes must repair the broken Cosmic Key so they can return to Eternia. What makes this one interesting is the fact that He-Man is present here, just like in the Star Comics adaption but unlike in the final version of the film. Also interesting is the early version of Gwildor, who looks like something out of "Dark Crystal"...<br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=130.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/130.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=136.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/136.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=135.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/135.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=132.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/132.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=137.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/137.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=131.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/131.jpg" border="0" alt="Photobucket"></a><br /><br /><a href="http://s57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/?action=view&current=139.jpg" target="_blank"><img src="http://i57.photobucket.com/albums/g220/sallah4life/hemanmovie/repairingthemachine/139.jpg" border="0" alt="Photobucket"></a><br /><br />*Credit to eBay user kolektit for the images.James Sawyerhttp://www.blogger.com/profile/07073683145342465022noreply@blogger.com0